Breathing Colors
Landscapes by Bettina Mauel
Shinrin Yoku XI, Öl auf Leinen, 2019
opening: Saturday, 31 August, 6pm to 8pm Johannisstrasse 3A, 66111 Saarbrücken
Followed by an encounter with KUNST FÜR KUNST in the Pop-Up Gallery Mainzer Strasse 23
Gallery Puzić cordially invites you to a parallel opening, which begins in the Johannes-Church at 4:00 p.m. with Bettina Mauel's large-format installation "Transformation" as part of the exhibition series"Apocalypse",and continues from 6:00 p.m. in the Gallery Puzić with a special exhibition of various landscape paintings by the well-known Cologne artist.
In her paintings, Mauel explores the "present" in the context of global events. While the Johanneskirche installation addresses the theme of transformation through catastrophes, her vehement, intuitive painting process in the landscape paintings leads her down to unexpected meditative paths, into fantastic forests made up of more abstract color forms of the "natural." The Shinrin Yoku (forest bathing) series unfolds in particular through immersion in unusually intense colors - you can feel the rustling of leaves, and branches, twigs, trees, water become something vaguely impressionistically luminous, a premonition. In this way, new positive possibilities and developments are shown that counteract the catastrophe. Mauel sees the potential for something new, still unknown, that is not clearly recognizable. She has tried to articulate these processes in her paintings. Art plays a central role in our future, Mauel claims.
Bettina Mauel studierte an der Düsseldorfer Kunstakademie bei Gerhard Richter und war Meisterschülerin von Gotthard Graubner. In ihrer eigens für den Johannes-Kirchenraum entstandenen 20 Meter langen Installation thematisiert sie mit intensiver Farbigkeit, Dynamik und Sinnlichkeit die Bilder der Naturkatastrophen sowie Neues, das entstehen kann. Kraftvolle Pinselstriche stehen neben leichter Tuschemalerei und geraten in einen lebendigen, atmenden Dialog. Im Sinne der von der Kirche angeregten Auseinandersetzung mit dräuenden Katastrophen sucht die Künstlerin das Lebendige und Hoffnungsvolle in den pulsierenden Farblichtfluten ihrer Landschaften. Im Gegensatz dazu kann man vielleicht auch träumen, dass die Erde und die Kraft der Natur überleben werden, wenn die totalisierende Techno- und Kriegskultur der Menschen sich selbst vernichtet und abgeschafft hat.
gelb-grüne floor V, Öl auf Leinen, 2022 versteckter tümpel II, Öl auf Leinen, 2022
flussufer, Öl auf Leinen, 2022
Sie können die Werkliste mit den Preisen der Gemälde herunterladen / You can download the worklist with the prices of the paintings
opening of the exhibitions, 31 August Gallery (left) and Johanneskirche (right)
[Werkliste: click download button below]
Navigation of a defense against reality
« Šumonjakše und die Verlorenen »
During the summer break, the gallery can be visited (every Thursday afternoon from 1:00 p.m. to 6:00 p.m. or by appointment) to view a selected constellation of striking works of art from the last exhibitions and to discover new areas of provocation.
Gallery Puzić has now existed for exactly two years in the center of Saarbrücken and, with the exhibitions it has shown so far by renowned international and regional artists, has developed its own profile that is probably unique in the Saarland. As it is formulated in the gallery's philosophy, the gallery is a platform for radiant exchanges of ideas, visual works, art perspectives, media, performance and film evenings as well as music/sound art and discussion forums. This is our face and our claim to experiment with contemporary art and its cultural friction points – and we invite everyone to come and see us and participate.
Šumonjakše, „Aqua alta“, 2018, and Jesse Magee, „Mutterboden/Felder“, 2024 (foreground), installation view
I.
“After the Battle All Generals are Fucked”
Bojan Šumonja (Croatia) / Marko Jakše (Slovenia)
Curator: Esad Puzić
II.
installation view, showing works by Bodo Korsig, Renate Krammer und Magdalena Grandmontagne
‚Lost in Transition‘
Guest curator: Bodo Korsig
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photos (c) Johannes Birringer & Bettina Mauel